Showing posts with label display. Show all posts
Showing posts with label display. Show all posts

Sunday, September 9, 2012

Bonus: Yes, We Do Windows

You would think that our favorite part of working at an antique mall is all of the junk that we can buy and take home. Actually, the thing that we look forward to the most is working on the front window displays. We've been contributing to the windows for quite some time, but for the last two years we've allowed ourselves to branch out with our designs. Yes, there will be a display that mimics a Victorian sitting room, or a lady's boudoir, or an explorer/travel theme, but then you might walk up the sidewalk to discover an abstract, and very graphic, black, white, and blue display of vintage sign letters and glassware. We take inspiration from movies (our most recent Victorian display drew its inspiration from the new Sherlock Holmes movie), books, magazines, and other things that catch our attention. We like to make the window displays over the top, so that people stop on the sidewalk to take pictures, or even come inside just to tell us it's cool. That travel window? It had suitcases stacked ten feet high. And that pales in comparison to the "over the top" that we've been doing for the last year.

We, along with a co-worker who joined the top secret window team last summer, change the window displays 6 or 7 times a year. The longevity of a particular display depends on season, as well as the fact that feature items in our displays tend to sell. We replace them as quickly as we can, but there are only so many upholstered chairs or green vases to be had, and then it starts to look barren. We spend weeks, if not months, planning future displays. It is an obsession. We spend our own money; we do the windows off the clock; we start at night and stay until the wee hours of the morning, so that it seems like the work of little nocturnal elves. Sometimes, we spend hours upon hours at home preparing props, dyeing fabric, or engineering a new way to highlight a particular item.

Creativity is a requirement, because we are limited by what is in the store at any given time. You can't do a Mid-Century living room if there is no Mid-Century furniture in the store right now. If our vision is based on a wall of tightly packed portraits (which we did for Halloween one year--very creepy), then there had better be at least 30 portraits in the store. Some items are critical to the display, so we have to keep a Plan B handy in case one of those items sells. That bench is perfect! If somebody buys it, we had better know exactly what can replace it and still look cohesive with the rest of the display.

This post is intended to review the windows of the last twelve months, and our intention is to write a post for each new display from now on. So here is a recap, starting with late last July:

July/August 2011: Mid-Century Under the Sea window
A staggered, sculptural stack of Lane coffee tables in various sizes and shapes, covered with 1950s and 1960s pottery, & glassware. We covered the pegboard wall with strips of bubble wrap, painted on the reverse in different shades of blue, alternating in a random pattern. We dyed fabric in greens and blue-greens and made "seaweed" to hang from the ceiling (loosely based on an Anthropologie window that we had seen). We draped seaweed over and around the accessories, which were in blues and oranges. We made a Mid-Century style mobile with sleek orange fish and hung it from the ceiling. It was a huge hit. Unfortunately, no pictures survive.

September/October/early November 2011: Train Station window
We found a piece of brick-patterned paneling in the attic, and used it on the floor. We stacked two painted wooden tool boxes (six feet long) to make a bench. We rigged an old door across the nook with a vintage "tickets" sign, and put a small stack of suitcases beside it. A bonus discovery of a vintage painted "Pay Here" sign hung above the door.  Train lanterns and railroad signal lights hung on the walls, along with a beautiful vintage Railroad Crossing sign.




Christmas 2011: Country Christmas Kitchen window
Big tree, lots of ornaments, pine cones, berries, etc. A 1930s enamel gas stove, with red and green mixing bowls and spice containers on a shelf above. A rocking chair with a bowl of popcorn/cranberry garland spilling out. 1930s toys under the tree. Platters of cookies and bowls of cookie cutters.  But no pictures of it!

January 2012: The Alice Window
Without a doubt, the most famous window that the mall has ever had. We cut panels off of a big roll of white paper, and transcribed the Mad Hatter's tea party story in different sized letters, using different fonts, in black ink. We attached these to the pegboard wall. We put black and white tiles on the floor. A red velvet drapery hid the corner nook, and we made a 14" high golden-yellow door to put at the bottom. In front of this went a tiny dollhouse-sized table with a small key and a tiny glass bottle. The center of the window held a glass and chrome table covered with teacups and teapots. A yellow shelving unit held more cups, etc. Funky chairs surrounded the table, including a large gold wing chair. We sold the wing chair five days later, and replaced it with a cream one. That one sold less than a week later, and we replaced it again. That one sold within ten days, and marked the end of Alice's reign, as we didn't have any more chairs to put there. People still ask about this one. Pictures do survive of this window. Here's a sample, and the rest can be found on the Collector's Antique Mall Facebook page.




February/March 2012: A Photographer's Living Room
We gathered every panoramic photograph in the store and clustered them on the walls, and used a large Mid-Century hutch to hold more photos and vintage camera gear. A locally-made lamp using a vintage tripod and camera lit the display from the corner.



March/April/early May 2012: Is There A Doctor In the House?
Vintage medical posters, a doctor's cabinet, various medical tools and signage.

Doctor's window


late May/June/July 2012: the ROY window
Nothing but red, orange, and yellow from top to bottom. The unique feature was the orange fridge.  Definitely an eye-catcher.



August 2012: Asian Fusion window
We once again pulled out the giant roll of paper, cut it into panels, and painted Asian-style fish onto it. Parasols, fans, some figurines, a bamboo ladder, a Henredon silver chest, and various green and amber jars and accessories filled in around a bamboo-patterned Windsor chair. We used a bank of vintage post office boxes to mimic the feel of a Chinese apothecary cabinet. The Henredon chest sold fairly quickly, and has been replaced by a small Arts and Crafts style tapered bookcase.


Monday, August 6, 2012

Junk Love Monday: Make Your Collection Work For You

Last week, we established the fact that the Blackbird girls are junk addicts. We buy, and then we buy, and then we buy some more. You would think that we would be absolutely out of room by now, right? It is no secret within our circle that our living space is packed with junk. Most first-time guests expect to see a monstrous pile of antiques and tchotchkes, from floor to ceiling, with a pulse that vibrates beneath their feet. What they find instead is a very extensive, but carefully curated, smorgasbord of things. We decorate with our junk. It is everywhere (and I do mean everywhere--every nook and cranny in this house is considered to be real estate for the current or future display of something). Yes, we share a house that could only be classified as tiny, a 1947 cottage that seems to be shrinking by the day. But, we are experts at maximizing the potential of a space, no matter how small. We do have rules to follow. (Last week, we introduced you to the rule known as #3, or the Rule of Three, about the minimum requirements to make something an official collection.) This week, we give you two more rules.

Rule #10: Use your home as a gallery for the things you love to look at. Our strategy for artwork (or anything we can hang on a nail, really): if it's a vertical flat surface, it's available. It doesn't matter if it's three inches from the ceiling, or hanging all the way to the floor, or on the back (and front!) of a door. We hang things across the tops of doorways, on the wall beside the refrigerator, in the laundry nook, above and below light switches, and someday soon, we will probably be hammering tiny nails in a row down the exposed side of our built-in bookcase. We literally have a section of wall that is covered with artwork from the ceiling down to the baseboard with vintage artwork.

how to display wall art
www.Lushlee.com


Rule #10, part B: use your displays to mask the defects in the "gallery." Some people use accessories to enhance the architecture of their home, which is absolutely fabulous if you have noteworthy architecture. Those of us living in homes with...flaws...can use our accessories to cover up the blemishes. If you are in physical pain at the thought of a room with more artwork than drywall, imagine how it would feel knowing that the drywall is cracked and uneven, and the painters were possibly sleepwalking when they applied your favorite, but now-discontinued, color (the one that ALL of your furniture matches, so if you repainted the walls, you'd have to reupholster everything). It is far more satisfying to cover that up (and much cheaper than having someone come in and re-drywall and paint every room in your house, which would really mean having to move to a hotel while this is done, because you have to sleep somewhere). Do you have a pesky support column somewhere, which can't be removed because it's holding up your house? Cover that thing up. Artwork, masks, a collection of tools--it doesn't matter what you hang on it. Just make it look like it was put there specifically to display something you love, and nobody will ever leave your house thinking about that ugly column again.

But what if it can't hang? This brings me to Rule #9 in our personal guidebook to happiness: Make your collection work for you. It is a beautiful concept, really. First, you get dual usage out of some of your things. Second, when you are thinking about purchasing something, the moment when you realize that you can use it to display, store, or enhance something else in your collection will bring you that most precious realization: I HAVE TO BUY THIS! You have no choice now, which eases the pain of opening your wallet and handing over the money. You have to do it, because it was meant to be! It is guilt-free efficiency. Example: She buys a box of vintage billiard balls. What do we do with spherical things, which, because our house is also not level, tend to roll all over the place? Why, I simply MUST buy that red bowl to hold them! And now that I have that red bowl? I can buy that similar aqua bowl to hold my bocce balls. It doesn't get better than bowls of balls, people! When she buys an antique optic glass punchbowl, what do we do? Fill it with her vintage typewriter tins. When I buy vintage chess pieces? Then she simply MUST buy that vase to hold them. Then, we can use that vase of chess pieces as a bookend. A teak salad bowl will hold candy at Halloween, or turned upside down, can act as a riser for a piece of pottery. A midcentury creamer becomes a pencil cup.

However, sometimes we have to find a place to store things that aren't a part of our display. Whether it is something as mundane as scotch tape, or a collectible that is being rotated out for a while, it has to go somewhere, and that is the moment you will discover that the drawer in the kitchen is already full. This is when you can really make your collection work for you--as storage units. While we may wiggle things into overstuffed closets and under furniture, nothing serves us better in the way of storage than two of our collections: suitcases and ice buckets.

Stacks don't have to match!
respacedpdx.com


The suitcase craze comes and goes among vintage-lovers, but our relationship with our luggage is solid. Every suitcase, trunk, and vanity case that we own is performing double duty as a storage site for something. I have a round blue suitcase that holds sweaters in the off season. We have a plaid suitcase that stores back issues of magazines. Vintage tweed suitcases filled with unsightly and rarely-used, but highly sentimental, VHS tapes are stacked on a piece of furniture to serve as risers for one of our displays. Depending on the time of year, other suitcases throughout the house may hold extra blankets, board games, Christmas decorations, our heaviest winter coats, and an impossible-to-display collection of vintage cheese boards that will have their grand debut at a cheese party someday. To keep everything straight? Just tie paper luggage tags to the handles of the suitcases, with the contents written on the tag. Unless you have incredibly nosy guests, people will just think they are name tags. You can buy them, or make your own, or use the tags that came with the suitcase when you bought it. We get great storage, and the suitcases look great with our decor.

The ice bucket collection has become a resting place for smaller items: spare batteries, tape, business cards, and the super important Pizza Delivery Fund. Have you ever put something in a "safe place," and then spent six months looking for it? If you designate the ice bucket collection as a series of safe places, it cuts the search time considerably (and you don't end up emptying, and then re-filling, every drawer and cabinet in your house). Yes, I might forget which ice bucket holds the AA batteries, but trust me, it only takes two seconds to lift the lid, gaze inside, and move on. No digging required. Plus,  ice buckets are cool.

Peter Max Ice Bucket-- circa 1960 with rose-colored sunglasses handle
moodindigonewyork.com