Showing posts with label 1930s. Show all posts
Showing posts with label 1930s. Show all posts

Tuesday, June 9, 2015

Junk Love: Aviatrix

When I was in the second grade, my teacher read us a story about Amelia Earhart. I was instantly hooked. In my mind, no person was as cool as Amelia, and I tried my best to get other people on board with the idea. One of my parents worked at a small airport at the time, so I probably made a nuisance of myself asking the pilots questions or rattling off Earhart facts in the break room. My first time in a plane, I was utterly distraught that no one thought to bring a leather cap and goggles for me to wear. In the third grade, we had to do a biographical presentation about a famous person. I chose Amelia Earhart. In the fourth grade, my entry for the Young Writers contest was a fictional short story about Amelia and her navigator on an island in the South Pacific. Even by the time I was in high school, when I had to write a paper about a famous figure, I went back to my girl. So it's no surprise that I am attracted to the general idea of the aviatrix. I just love chicks with planes--what can I say? (*Side note: I also love dudes with planes, and collect vintage flight-related books for boys.)

So, when I read today's headline that someone has footage of Amelia just before her final flight, I admit that I was thrilled. And I figured that today is the perfect day to pay tribute to girls with planes in a variety of collectible formats: pinup, photography, and advertising.Enjoy!











Tuesday, October 1, 2013

Junk Love: Which Witch?

Halloween is one of the Blackbird girls' favorite holidays, and one Blackbird mother is even crazier about the day than we are. So, for the month of October, my junk love mind will probably wander to vintage Halloween stuff more often than not. Today's journey is about witches.

The witch is the Blackbird mother's absolute favorite character from this holiday. She has collected Halloween items for years, and she has LOTS of items, but she is downright passionate about witchy stuff. She has so many things that, in a lot of cases, it is really hard to find an example that she doesn't already own. I decided to make this my quest today, so here is a selection of wish-list items that will make her drool if she ever sees this post.

As a fan of paper ephemera, of course I looked for those items first. These are my two favorites, both of which I have never seen before. I really want this place card:
Vintage 1930s Gibson witch place card, From Etsy

I also especially love this 1930s die cut witch because she is double sided, and the crepe cauldron is still in great shape.
Stirring and stirring and stirring my brew..., On Etsy
This is probably the cutest candy container I have found. Yeah, she's got her broom, but she certainly doesn't need it to go fast (even though the $300 price might slow me down a bit)....
Vintage Rosbro witch on motorcycle candy container, On Etsy

We always look for vintage Halloween post cards as birthday or Christmas gifts for the Blackbird mother, and this is one that absolutely cracks me up (and it's another item that I've never seen anywhere before).
Vintage Halloween post card, From Etsy
And here are the budget-busters (yeah, the candy container is super-expensive, too, but these are special because they are incredibly rare). The first is a limited edition vintage Ouija-style game called The Salem Witch Board. The board itself is plywood, and has great graphics printed around the border of witches and other Halloween-y stuff (hehe..."weenie"). The instructions state: "The Salem Witch Board is a talking number board used in the attempt to contact the Spirit World through the use of 66 different numbers, each with their own meaning." This one is for sale on Etsy for $125.
Vintage Salem Witch Board game; On Etsy
The second is a very rare fortune-telling game from the 1920s. Even though I don't collect this stuff, I would be tempted to hang on to this if I ever came across it (Ssshhh! Don't tell....), but at $220, I'll sadly have to deny myself this one.
Vintage 1920s Fortune Wheel, On Etsy



Sunday, September 15, 2013

The Skinny -- Winter Coat Fashion of 1935

So, we bought Seventeen magazines from the 1970s, as I shared with you a few weeks ago.  But we also bought a stack of Ladies' Home Journal magazines from the 1930s at the same time.  In the October 1935 issue, I was struck by their fashion spread with winter coats.  

Of course, I was.  We are bleeding hearts when it comes to vintage coats.  We buy them whenever we find them abandoned in a thrift store or at an estate sale.  People have even just given us their vintage coats they don't want anymore; they know we will love them unconditionally.  One of us Blackbirds (who shall remain nameless, ahem...) has a collection of coats.  She specializes in Persian lamb coats, but loves them all in their turns.

I know she will appreciate this post -- and that she will try them all on in her mind.  The text included is by Julia Coburn, and the photographs are by Fowler-Bagby.  I hope you enjoy a trip back to the fall of 1935!


The Question of Color for Your Winter Coat

It's perfectly true that a black winter coat is the most practical thing you can have.  No matching problem on accessories, and a great choice of colors in dresses, if you don't want all black.

Black is distinguished; it is sophisticated and it can be young, like the coat on the left.  A smooth soft fabric, buttoned down the front, with a turn-down collar of Persian lamb, and a soft flare to its skirt.  But would you like to try your hand with color?

Brown is, of course, the first thing you think of in the way of color, the time-honored alternate for black.  Nice with green dresses, gold dresses, rusty reds, as well as matching brown.  Beautiful with beaver or mink collar, for an all-brown coat.  The one at the right on the opposite page (photo below) uses cross fox with all its varied tones, to lend interest to the coat.  Long-haired furs are very fashionable -- the favorite silver fox, cross fox, light foxes, and very light-colored lynx and wolf, giving contrast to deep winter shades. 


In the brown coat note the tiny flecks of color in the brown, like pin dots.  They are made by colored mohair woven into the fabric.  The coat fabrics have interesting weaves this fall.  Note the sleeve fullness, coming from the back; the way the coat wraps way over to the side, held by a belt of the fabric; and the easy flare to the skirt, worn about two inches shorter than last year.  All these are new fashion points to consider when you buy a winter coat, if you want it to look really new.

If you're bored with brown, look at the gorgeous copper shade on the girl who is stepping up.  Nobody could possibly mistake that for last year's coat.  First its color, which blends beautifully with brown accessories and yet in itself is so much more exciting.  Can't you imagine it with deep auburn hair?  Think of a gray dress with it, matching the fox.  Or almost any shade of green.  Or a pinky beige.  Now look at its other points of newness: The slightly bloused back; the collar of fox mounted on fabric, adjustable, and giving a becoming softness.  Belted in the fabric, as the brown coat is, and again with a generous lap to the side.  Fortunate you are if you can find brown suede step-in pumps banded in calf in just the copper color of the coat, like those in the picture.  For shoes this year can have interesting color effects, and still be in the best of taste.  Experiment a little with shoe colors too.  Green, green and brown combined, and wine red are some of the interesting new shoe ideas to be found in the better shops.

To show you on of the wonderful new wine reds for this winter, we have chosen the perfectly stunning suit worn by the lady with the dachshund.  This type of suit is definitely a luxury, and for the woman who maintains a varied wardrobe.  The coat is long enough to wear over a frock.  The blouse and lining of the coat are of a wool shell-knit fabric in a shade of blue that looks shimmery because two different tones are used.  The coat and skirt are made of a rough soft woolen, just formal enough for the mushroom collar of beaver.  Note how the coat buttons from below the collar to well below the waistline.  Before long we may be having coats with as many buttons as shirtwaist dresses.  If you want to see a new and perfectly stunning pair of gloves, look at those she is wearing with this suit.  They are of suede, with palms, binding and lacing of the gauntlet cuffs of calf.  This year there are some happy mediums in gloves between stark simplicity and overfussy trimming.  In the case of gloves, as with so many of the things you will buy this fall, it would be wise to go shopping with an open mind.

There is one more exhibit in the coat-color family -- green.  For sports coats, you will find gay, vivid greens, a color that makes vivid contrast for fall's browns.  For the all-purpose winter coat, you will probably be more likely to choose an olive shade, of which there are darker and lighter versions.  The one worn by the girl in the center on this page has kolinsky collar and -- big fashion news -- fur cuffs.  Put together, they form a very convenient muff.  The definite flare in this coat is very important.  The flared coat, if worn short enough, is very young looking.  And you can get one in which the flare is put in at the side seam in such a way that it's a simple operation to have it taken out, if you should tire of it.

With all the new ideas there are in winter coats this year, you certainly owe it to yourself to get one that looks new.

*********************************************************************************

We don't have currently have any coats in the shop from the 1930s, but we do have this amazing fox fur collar coat!

1960s Belson Tar Shire Wool and Fur Coat
Available here.

Friday, May 10, 2013

The Skinny -- Genia Rubin

To use a stupid little phrase we Blackbird girls use quite frequently -- if wishes were dreams...then I would have more wall space in our house.  Well, I'd just have more house to our house.  Extra rooms, extra display space, extra wall space for more art.  And if wishes were dreams, I could have vintage (OK, I could only afford prints...) fashion photography and portraiture.  You know, the really good stuff, like Richard Avedon and Cecil Beaton.  And this guy, Genia Rubin.

I recently stumbled upon the work of Genia Rubin, and although I haven't been able to find much out about his life, I thought I could at least share some of his stunning work with you, our readers.  His work has a surrealist vein running through it, showing "provocative forms of unrestrained, convulsive beauty."* 

Genia Rubin (real name: Yevgeny Hermanovitch Rubin) was born in Kiev in 1906, and died in Paris in 2001.  He left Russia in 1927, traveling to Berlin, where he assisted Karl Freund, cinematographer for Metropolis (1927) and an Academy Award winner for Best Cinematography in 1937 for The Good Earth.  


Rubin went to Paris in 1929, where he worked as a still and portrait photographer in the Pathé Film Studios, a company which produced over 70 feature films between 1929-1935, including some of France's first talkie pictures. In 1931, Rubin returned to Berlin, where he met the well-known portrait photographer, Rolf Mahrenholz.   He opened his own photo studio in the Kurfürstendamm, one of the most famous avenues in Berlin.   


Rubin soon began working with fashion magazine editor, Franz Wolfgang Koebner, the editor of a popular magazine, The Elegant World.  It launched his fashion career.  In 1935, he moved back to Paris, where he met photographer Harry Ossip Meerson. They collaborated, and after Meerson's departure for America, Rubin took over his studio.


During his fashion career, Rubin photographed for Indian magazine Femina, Harper's Bazaar and Australian magazine, The Home. After WWII, he met the English court photographer, Baron Stirling Henry Nahum, and until 1956, Rubin worked alternately as a guest fashion photographer in Baron's London studio and as a photo correspondent for the Daily Express in Paris.

 
Through his acquaintance with André Breton, the founder of Surrealism, Rubin learned about contemporary painting in Paris in 1947, and his work was represented that year, along with other artists', in the international Surrealist exhibition at the Galerie Maeght, a gallery for modern art, founded in Cannes in 1936.

 
In 1957, Rubin worked for Maison et Jardin (House and Garden, Condé Nast ), photographing parks, gardens, palaces and works of art in France, England and Italy. From 1959 on, he devoted himself again to his modern painting and photography.

  
 And that's it folks.  That's all I've got!  The Biksady Gallery in Budapest had an exhibit of his work in February through March of this year, and that's where I got most of the images.  I'm definitely intrigued now, and I'm going to dig some more.  Hopefully you enjoyed the images -- and I'll leave you with one of his lovely portraits!


* From the Metropolitan Museum of Art, here.

Friday, April 12, 2013

The Skinny -- Rie Cramer

Rie Cramer
Marie Cramer, better known as Rie, was an illustrator of her times.  Her images perfectly capture the essence of the 1920s and 30s, from her color choices to her linework and detail to her subject matter and point of view.  Her work features flowing Art Nouveau figures, with bright, saturated color, and lots of personality.  We Blackbird girls love illustrators, and her work makes us so, so happy.

The youngest in a family of four girls, Rie Cramer was born and raised in the Dutch East Indies, more specifically in Java, Indonesia, in 1887.  Her father, Henry Cramer, was often absent, as he was with the "packet service", traveling on ships with cargo.  Her mother, Elisabeth Frederika Schenck, took Rie and her sisters back to The Netherlands when she was 9 years old, and she attended an art academy in The Hague, the third largest city in the country, from 1905 to 1907.


At 17, she left a folder of her work -- drawings and rhymes -- with a publisher, W. de Haan, in Utrecht.  They loved it, and she got a contract in 1906 to do the book, Of Girls and Boys.  She did a sequel a year later.  

"In contrast to the then usual moralistic and educational children's books were these playful books about domestic life and the world of the child. The illustrations were not only informative, but appealed to the imagination and made the book much more accessible to children than the usual children's literature."*

Rie went on to illustrate books for other Dutch authors, like Nienke Hichtum and Anna Sutorius, as well as the classics, like Grimm's Fairy Tales and Alice in Wonderland.  She was heavily influenced by the art of other illustrators from around the world, like Arthur Rackham and Edmund Dulac.  She worked with a dark black outline, and then filled in with watercolors.

  
Rie was married two times, both ending in divorce, and she had a passionate, life-changing affair with married art critic Albert Plasschaert that ended in 1919.  She had no children.  But she lived for her art, going on to make dolls, ceramics, and even write plays and novels under a pseudonym.  She also wrote for a children's magazine, Sunshine, in the 1920s and 30s.


World War II was especially difficult for Rie.  In 1940, the Germans invaded the Netherlands.  Two of Rie's pre-war novels, She,We, and You and The Land of Promise were banned for their anti-Nazi message.  She worked against the Nazis, hiding refugees and writing poetry, called Verses of Resistance.  Through it all, though, she continued to illustrate children's books.  After the war, her fame spread to Britain and beyond, and she wrote a series of children's radio shows, of which 42 episodes aired in 1954 and 1955.

The Little Mermaid

Rie's later years were spent in Mallorca, living with friends.  According to her, it was the best time of her life. She wrote several books about Mallorca, and her love for cats.  She was crazy about her cats, and even posed with one of her cats for her passport photo.  In 1971, she moved back to the Netherlands.  Rie died at the age of 89 in 1977.  


Critics have said that Rie neglected part of society with her art, focusing too much on the whimsy and beauty, and not enough on the realness of the world during the time she worked.  However, her lighthearted, beautiful art speaks more to me because the fantasy she put into every illustration.  Rie captured the most important element of childhood in her work -- imagination and fun.

*http://www.fairyworx.net/Rie_Cramer.html

Monday, March 4, 2013

Junk Love Monday: The Blackbird 100

The other day, I realized that today would mark our 100th blog post, so I decided that the post should have something to do with that number. I mulled over a few ideas, and then it came to me: what 100 items can the Blackbird girls not live without?

So, I proudly proposed my idea to the other Blackbird. We need to make a list of our 100 favorite vintage things, said I. This is how it went:

Me: Wouldn't it be awesome to make a list of our top 100 favorite vintage things?

Her: (horrified expression) Why would we do that?

Me: Well, for the 100th blog post we could list the 100 things that we would have to have, if we couldn't have anything else.

Her: (really horrified expression, not using a reasonable "indoor voice") Why would we do that?

Me: Well, if we had to move, and could only take 100 things with us...

Her: (nearly hyperventilating) WHY WOULD WE DO THAT?

Me: (anxiety setting in) Well, say Robert Downey Jr. called us and said "Hey, I'm filming a movie in the desert and I need you to come with me, and I know it gives you anxiety to think of leaving your junk behind, but really, there isn't much room in a Bedouin tent, so you're only going to be able to bring 100 things. But the rest of your stuff will be taken care of at home, and will all still be there when you get back."

Her: (eyebrow raised) A Bedouin tent. Really.

Me: Exactly!

And so began the Blackbird 100 project, three days of discussion interwoven with mild anxiety attacks, hard bargaining, and the satisfaction that we get from talking about our junk. We did lay down some ground rules, though: 1. No furniture. (Otherwise, I'd have been explaining just how a camel could carry my bed through the desert. Plus, it's a pain in the rear to disassemble.); 2. No sets, unless it's a pair of salt and pepper shakers, or something like nesting bowls. (This is primarily to stop me from pleading a case for all of the Perry Mason books to go in the suitcase, or my set of hibiscus dishes. A camel can only carry so much!); and 3. It has to be vintage. (I wouldn't trust the Pizio on a camel anyway.)

It was hard. We have so many things! And we love them all! How do you narrow down a 50-piece collection to just one favorite? What if one of us vetoes an item? Will we ever speak to each other again? Do light fixtures count, if furniture doesn't? If we allow that set of 3 nesting bowls, can't we just bend the rule a smidge to put in that set of 4 glasses? Plus, just how practical is it to take a glass punch bowl on a camel? Oh, the drama! Oh, the tears! And yes, there were very serious discussions about the practicality of a camel-based transport system through a sandy wasteland with no electricity.

The list is finally complete. Without trying, we actually got a pretty equal amount of suggestions on the list. How very democratic we are! But now that the list is full, I sit here squirming under the accusatory glares from items that didn't make the cut. I have re-evaluated the list twice in an effort to justify taking something off in order to put something else on. My only recourse is to demand that Robert do a hypothetical sequel, so that we can make a second list of favorites to take to the hypothetical movie set someday. (But I'd suggest somewhere very un-desert like, with hotels or cabins instead of tents. I'm not much for camping....)

We'd love to put pictures of every single thing, but it's not really feasible. Some list items might seem sort of vague, but we know which ones they are, which is all that really matters, right? So, even though you may not know what in the world we are talking about with some of these item descriptions (although you should take comfort in the fact that at some point, they will probably be featured in future blog posts), here is our list:

The Blackbird 100
1. Robinson Crusoe Needlepoint ("Only Robinson Crusoe could have everything done by Friday")
2. Asian boy jam pot
3. Giant nesting dolls
4. 1930s Holleb's tea tin
5. Vintage "The Cold Deck" advertisement (film or play)
6. Czech red & white polka dot creamer
7.  Captain Blood book, NC Wyeth dust jacket
8. Yellow framed sketch of a pencil
9. Vintage folky pin cushion
10. Monogram ring
11. 1960s oil portrait of a lady (We call her Grace.)
12. Marx Iron Man figure (We can't leave home without Iron Man!)
13. Amber lucite flower pin
14. Chinaman paint by number in red frame
15. Wooden wallpaper or fabric stamp
16. Buster Keaton post card
17. Vintage velvet necklace stand
18. Meerschaum pipe
19. Gypsy Fortune teller Valentine 
20. Amber bottle w/ stopper
21. Black tooled leather purse
22. Holt Howard cats S&P
23. Green GE fan (From the farm where the other Blackbird's family grew up.)
24. Blue Dansk pot (From the infamous NY trip, to be discussed later.)
25. Red ball seltzer bottle
26. Perry Mason "The Case of the Black-Eyed Blonde"
27. Black binoculars
28. Pineapple Vera scarf
29. Eastman Kodak mini paper cutter
30. Chef-an-ette recipe box
31. Dean's Big Book of Fairy Tales (My favorite childhood book.)
32. German spinner globe (Practical for a desert trip, for navigation and game-playing needs!)
33. Don Quixote panel bracelet
34. Red Pendleton shirt jacket
35. Happy chef embroidered kitchen towel
36. Victorian match safe pendant
37. Cobalt horse planter
38. Optic glass punchbowl
39. Elvgren "Pick of the Crop" pinup
40. Tinsel ball Christmas ornament
41. Central Park Lake watercolor (With the Dakota building in the background.)
42. Devil girl swizzle stick
43. Aladdin poster (Advertising from a play.)
44. Peter Max inflatable pillow (Signed!)
45. Metal water carafe (The same type can be seen at Fallingwater.)
46. Pull-down kidney medical chart
47. Old Crow decanter (We can't leave behind a crow with a top hat.)
48. Metal Luzianne tea sign
49. Cast iron spiderweb trivet
50. Barbie, Queen of the Prom board game (There's not much else to do in the desert....)
51. Small accordion
52. Velvet apple pillow
53. Flag tin
54. Red nesting bowls
55. Georges Briard lemon tree platter
56. Mid-century Arabian tray
57. Dean's Mother Goose (From the other Blackbird's childhood....)
58. Sterling dachshund pin
59. Bifurcated Rivets tin (A tiny tin! And, because I like to say "bifurcated rivets"!)
60. Hudson Bay blanket
61. Blue German cat eye glasses
62. Teak salad bowl
63. Green/Orange/Black Art Deco typewriter ribbon tin
64. Napkin doll
65. Lucite/cream shaving brush with badger hair bristles
66. Mister Donut restaurantware mug
67. Aqua ball vase w/ flower frog top
68. 1930s Arabian Nights board book 
69. Elvgren "Indian Sign" blotter
70. Yellow fur poodle pin
71. Cork ball pencil holder
72. Brains Benton #5 The Case of the Waltzing Mouse (My first Brains Benton!)
73. Mohair tiger (Possibly Steiff. We call him Mr. Richard Parker.)
74. White matte large-leaf pattern vase
75. Fenton fortune telling owl
76. Leather cuff w/ glass eye
77. Monogram locket
78. Alice in Wonderland book (With Tweedle Dum and Tweedle Dee on the cover.)
79. Regent St. top hat
80. Iridescent Mr. John necktie
81. Chinois string tin (Another tiny tin!)
82. Gray striped curly lamb coat (Those desert nights can be cold.)
83. Framed Spanish bullfighting poster
84. Buddha Chinese checkerboard
85.Black and white deer planter
86. Vera apple placemats/napkins (Yes, it's technically a set, but they don't take up much room....)
87. String & Splinter cocktail mixer glass
88. Red camel glass (Will probably get its very own post someday....)
89. Art Nouveau candy tin w/ lady
90. Canister box (Ha! I circumvent the rules by selecting this box with drawers for sugar, flour, etc. Not a set!)
91. Chaving dish with giant green knob
92. Vintage Kojack t-shirt (Inherited from my great-grandmother. Who loves you, baby?)
93. Blackbirds bowl (Yes, it's cracked, but the birds are so cute!)
94. Green & white typewriter w./ houndstooth case
95. Happy Days Are Here Again shot glass (An FDR re-election souvenir.)
96. Red bull statue
97. The Bossy R (A vintage schoolroom grammar card.)
98. Pocketwatch case necklace
99. Pr. of restaurantware airplane bread plates (It's only two, so it doesn't break the rules....)
100. Deco orange ball cookie jar (Because it's cool, AND it holds cookies. Chocolate chip, perhaps?)