Friday, April 5, 2013

The Skinny -- André Courrèges

Audrey Hepburn in Courrèges

The 1960s are my decade.  I am obsessed with everything from the 60s -- home interiors to fashion to culture...and on and on.  My favorite band is the Beatles.  I know my Motown and my beach music.  I drove a 1965 Ford Mustang in high school.  I love Doris Day and Audrey Hepburn movies from the 60s -- like The Glass Bottom Boat and Charade.  And the clothes -- those mod, mod clothes -- make me go weak in the knees.

The best design is almost always the simplest design.  There are exceptions to that rule, but not in this case.  Mod is about clean, simple geometry and bright (or absence) of color.  Crisp white, primary colors, and black are the go-to hues, and the shapes are short and graphic.  Bold and quite risque for the time.

One of the creators of ultra-mod fashion was André Courrèges.  He was born in France in 1923, and because of his father's wishes, actually trained to be an engineer, rather than the artist he wanted to be.  It didn't stick.  By 1948, he started working with Cristóbal Balenciaga, advancing to become Balenciaga's first assistant.

Courrèges, on right

By 1961, Courrèges was designing under his own name, for his own fashion house.  He did in France what Mary Quant did in England -- embraced youth fashion.  The times were a-changin', and they capitalized on the freedom of the 1960s.  Quant and Courrèges both claim ownership of the mini skirt; hemlines inched up and the brassieres came off.  Cut-outs were specifically placed to highlight the body.

His collection for spring 1964 immediately became known as Space Age.  In addition to his mini skirts, cutout dresses, and trouser suits (shocking!), he introduced goggle style sunglasses, helmet style hats, and flat boots, reminiscent of astronaut's gear.  The silhouette was known as a "moon girl."  It's said that:

"His collection featured proportionate, well-cut pants, rigidly constructed clothes with smooth “trapeze,” or trapezoidal, lines, and short skirts, with white midcalf boots and large, dark glasses as accessories. White became his trademark."*

Courrèges’s first official couture collection made its debut in 1965.  In 1967, he started his made-to-order custom line, Prototype.  His clothing was not necessarily a hit in the couture world.  Traditionally, couture buyers were older women, and these styles were definitely for the younger generation.  Lower priced retailers began copying his work, making little a-line dresses, vinyl go-go boots, and bug-eyed sunglasses.

Courrèges introduced luxury prêt-a-porter, with his line called Couture Future, at the end of the decade. In the 1970s, he established his first fragrance, Empreinte, as well as a men’s ready-to-wear line.  Courrèges' Hyperbole line, started in the early 1980s, hit at a lower price point, in an attempt to grab a more mass-market audience.

In these later years, Courrèges' color palette moved from primary and neutral to acid colors.  He also made some glow-in-the-dark fashions. In 1985, he retired and sold his business to the Japanese firm, Itokin. The company is still going, making clothes that carry Courrèges' mod influence.

Diana Ross in Courrèges

Wednesday, April 3, 2013

On the Radar -- Wear Your Hardware

Cartier white gold and diamond Love bracelet
One of the things I love most in this great big world is when new and old design meets -- and makes wonderful new little design babies.  Everything old can be new again -- because where we have been in our life and culture directly influences where we are and where we are going.

For example, the Cartier Love bracelet was created in 1969 by Aldo Cipullo.  It's still in production, and it is more chic than ever.  It is a classic.

But how do you twist a classic?  Embrace the hardware aspect of the bracelet and toughen it up.  Like so:

Railroad Spike bangle by Giles and Brother, available here.

Or expand on the form a little bit:

Ruby Cuff by Alice Menter, available here.

Maybe take the hardware aspect and make a necklace?

Made by Alita's Jewelry, available here.

Or a ring?

Made by Andy's House, available here.

Fab!  But, you can always just buy vintage, too...

Brooch available from Fagin's Daughter, here.

Monday, April 1, 2013

Junk Love Monday: Typewriter Ribbon Tins

In the Blackbird house, there are tins on almost every surface. We've got tea tins, tin recipe boxes, candy tins, tiny tins of assorted types, and, of course, typewriter ribbon tins. The other Blackbird girl has been collecting those forever.

This is another collection with a definite price limit--she never pays more than $5 for a tin, and usually holds out for the $3 deal. If I'm buying tins for gifts, the price bracket can be a little higher, but even then, no typewriter ribbon tin priced more than $9 has crossed our threshold.

We both love them, which means that I can live vicariously through her collection (we do this a lot for each other). She has a special love for tins from the 1930s, and I have a soft spot for anything with a really graphic color combination, like the orange and black Herald Square tin.

Before Christmas, I happened to look online for typewriter ribbon tins (I do this periodically, but with very little luck finding tins that fit into the price bracket). I really didn't expect anything to catch my eye, but I ended up hitting the mother lode. It's kind of like our hat experience from a couple of weeks ago--I found 4 tins, and then  2 more, and then another one. Over a period of 4 days, I got 8 typewriter ribbon tins...for a grand total of $15 (including shipping). That made for quite a junk buzz, plus I got to relive it all when we opened Christmas presents.

Right now, the collection is corralled in a vintage optic glass punchbowl, with an additional reservoir in a coordinating optic glass vase. They periodically get stirred around a bit to rotate different tins to the top.  There are a few repeats, but you must have figured out by now that the Blackbird girls love multiples. We're fairly positive that nobody else can love it as much as we can, so we might as well keep them all....

And it's not technically for typewriters, but we love this Kee Lox adding machine ribbon tin.