Friday, September 21, 2012

The Skinny: Ghastly Gorey


As Halloween approaches, we like to brush the dust off of some of our darker influences. This week, the focus is on Edward Gorey, an iconic twentieth century writer and illustrator of some wickedly dark tales.

Gorey cover art for A Clutch of Vampires


Although most people assumed that Gorey was English, and of the 19th century (due to his reputation for black and white Victorian-inspired art), he was actually born in Chicago in 1925. He studied briefly at the Art Institute of Chicago, spent a little time in the army in the 1940s, and then majored in French at Harvard. He moved to New York to work in the art department at Doubleday Anchor, and began writing and illustrating his own stories. His first book, The Unstrung Harp, came out in 1953.

This was the start of a prolific career that yielded over 100 titles before his death of a heart attack in 2000. Gorey also worked on theatre productions, most notably a 1977 Dracula set, and illustrated dozens of books for other authors. He was best known for his "ghoulish" side, but he also illustrated an edition of T.S. Eliot's Old Possum's Book of Practical Cats (the basis for a certain Broadway show about cats), as well as putting his spin on Brer Rabbit.



He often used pseudonyms, which were usually various combinations of the letters of his name. My favorite is Ogden Weary, of The Curious Sofa: A Pornographic Work. It manages to be both risque and vague at the same time:

Oh, Alice!


In the early 1980s, Gorey's aesthetic was made famous by Derek Lamb in the opening credits of Mystery!, making him a sort of Gothic-art superhero. The animation team spent weeks sorting through fifty or so of Gorey's works, trying to pour the essence of his work into a mere forty seconds. I think it worked:




Derek Lamb later said "His work seemed inspired by the worst of human nature and of the highest forms of art. This was the contradiction I believe Gorey presented in his work, and he did it over and over. As readers we become enticed with the sheer brilliance of his art....then to find he's delivering us a reminder of the darkest sides of ourselves; or in the words of Edmund Wilson, "It is poetry and poison." We are fascinated and repelled. " The Mystery!-induced fame catapulted Gorey into the pop culture world of the 1980s and 1990s. A Nine Inch Nails music video was based directly on his work, and Tim Burton has long proclaimed Edward Gorey as one of his major influences. In California, there are regular Edward Gorey-themed costume balls. His artwork is also wildly popular in the tattoo world.

Edward Gorey, "The Insect God"

 Gorey admitted to having an aversion to disturbing or graphic violence, so the majority of his illustrations capture the moment just before, or just after, a climactic event, leaving the in-between details to the imagination of the reader. In fact, several of his stories are nothing more than a series of captioned illustrations that, when viewed in the correct sequence, provide a bare-bones framework to a story that still manages to be wickedly witty. Perfect example? The Blue Aspic, a story about love, opera, and murder-suicide. Sound horrible? Just think about poor Jasper....

"Jasper wandered the streets, his warping records clutched to his chest."


Gorey also had a Seuss-like affinity for rhymes, alliteration, and the alphabet, which produced (among several variations on the ABCs), The Gashlycrumb Tinies. It is, oddly enough, my favorite Gorey title (other than The Curious Sofa), and it is basically a rhyming alphabet of dead children. I know--it's terrible. But it's funny, in a bizarre, macabre sort of way....




 *Information obtained from http://edwardgoreyhouse.org/on-view-e-info.html; http://www.awn.com/mag/issue5.04/5.04pages/lambgorey2.php3





Wednesday, September 19, 2012

On the Radar -- Brooch the Subject

Photo from thestyleumbrella.com
There's one trend this fall I'm super excited to talk about.  The brooch is back!  Personally, for me, it never left.  I have always been a wearer, collector, and all-around lover of pins and brooches.  New or old, one at a time or grouped together, they can make quite the statement!

When I worked in product development, I had to go to the Hight Point International Home Furnishings Market every spring and fall.  It was fun to dress up, since normally the office was pretty casual.  My most memorable day was when I  wore my yellow 60s style a-line dress (I think of Doris Day when I wear it), thick black opaque tights, black ballet flats, and five of my enamel flower pins in black, white, gray, and yellow.  I got tons of compliments on those brooches -- even now, when I look at them I think about that day.

Brooches are easy to find and easy to wear.  Oscar de la Renta's Fall 2012 runway was full of his brooches, but you can get the same look from a thrift or antique store.   At the antique mall where we Blackbird girls work, you can find pins from $1 to $2, all the way up to $200.  And Etsy has over 120,000 listings for brooches in the Vintage section alone.

From Iris Jewels on Etsy

You can wear them one at a time, but I think the fun really starts when you pile on the pins.  And the more whimsical, the better.  Vintage pins can have so much personality, whether they are a Jelly Belly brooch, a Victorian tremblant pin, or a bright enamel daisy.  Why not a butterfly brooch nestled in a field of flowers?  Or a mini collection of owl pins?


If you need some inspiration for ideas on how to wear your brooches, I found this awesome video that Nordstrom just released.  It highlights nine different ways to wear your brooch collection.



More about my brooch and pin collection in a future Junk Love post, but I just can't resist giving you a sneak peek!


Monday, September 17, 2012

Junk Love Monday: Vintage Crime

They are dark, dirty, and deadly--and there's always a dame (or two). It is the genre of murder, seduction, and betrayal that gave us Sam Spade, one of the most iconic Noir characters of all time. I know that my love affair with vintage crime has its roots in the summers of my childhood, when I watched black and white Perry Mason episodes and adapted the plots for weird make-believe games that my siblings and I played (but rarely understood). Who needs cowboys and Indians when you can have a detective, a damsel, and a dastardly villain? And nothing gets the blood pumping like a good interrogation scene, especially if your grandparents' basement happens to be stocked with a crooked table, a cobweb-covered chair, and a single incandescent bulb fixture with a pull-chain....


But when I saw The Maltese Falcon on the big screen, I was absolutely hooked. I love the mystery, and the darkness, and the diamonds that every temptress wears (along with lipstick that is surely bright red, even in a black and white film). I don't even care that a lot of the time, the plot makes no sense (ever see The Big Sleep?). I just love the look of crime on film, and even more than that, I love the design of vintage crime novels. The titles are compelling: Deep Lay the Dead, Murder in False Face, The Big Midget Murders. And the art is fantastic, whether it is on a dust jacket, imprinted in the binding itself, or on the cover of a classic pulp paperback.



I definitely prefer titles of the 1930s and 1940s. After that, even Perry Mason gets a little less dirty (although my Perry Mason collection goes up through the 1960s), and the heroes become a little more James Bond-ish, and fall a little farther out of the classic Noir category. Actually, one entire bookcase in my house is devoted to vintage crime fiction. Some are hardbound sets with compelling titles; others were purchased purely for the binding or cover art.





I like to group titles together based on a similar theme: anything involving the word "skeleton" is in a stack together; titles with "poison" are lined up in a different section; I even have a few books with "widow" in the title that I put together. Perry Mason and Simon Templar (from The Saint series) occupy two whole shelves together. As I accumulate more titles, I store them (temporarily) somewhere else. Once per year, I dismantle the entire display and start from scratch, so that I can add the new ones in. (Honestly, there isn't much in this world that I enjoy more than an afternoon spent renovating the crime shelves.) I tend to watch the films more than I read the books, but occasionally, I pull a particularly dramatic title, curl up under a blanket, and pretend I'm Sam Spade.

Friday, September 14, 2012

The Skinny -- Van Dell Jewelry

From Broadwater Rose Jewels
The mysterious world of vintage jewelry is full of twists and turns.  Marks can be hard to read, and company's names reduced to vague initials.  Histories on the jewelry companies are lost or incomplete.  And forget about trying to date a piece or find out more about the jeweler's other collections.

Before I list a piece of jewelry in the Etsy shop, I do research.  I had never heard of Van Dell, but was intrigued when I found a pair of black and white cameo screw back earrings, set in sterling silver.  The mark was clear and prettily done.  But when I went to research the company, it was hard to find anything about them.  So for today's "The Skinny", I'm going to share with all of you the info I have been able to find out about the Van Dell Corporation (which ain't much...).  

It began in Providence, Rhode Island in 1943 (or 1938, depending on your source), with an emphasis on making high quality collections of costume jewelry, as well as sterling silver and gold filled and gold plated pieces.  Van Dell wanted to make designs that imitated fine jewelry, retaining a more delicate feel than a heavy, costume feel. They used rhinestones and simulated gemstones, as well as cultured and faux pearls.  They were also known for their hand carved cameos and ivory pieces.  According to Vintage Jewelry Lane, "Some of their early pieces sold for $65 or more in the 1960s, which was quite expensive for the time."

From The Art Floozy on Etsy

Van Dell is recognizable for their cameos, delicate floral pieces, faux pearls, and carved ivory.  Their ivory jewelry was marked with red and gold foil hang tags.  Rhinestone designs were often originally sold in sets, and are worth more if you can find the entire set or the original box.  The jewelry will be marked Van Dell, and have a stamp stating if it is sterling or gold filled.  Although not a high end designer, Van Dell does have a following, and can sell for a higher range of prices that your average costume jewelry.

From Morning Glory Jewelry
 
 The company was sold to Hallmark in 1970, and in 1998, was bought by the Colibri Company, based in London.   They also own Krementz jewelry, which has a similar design aesthetic. Van Dell jewelry is still being made today.

From our Etsy shop!

 Thanks to Vintage Jewelry Lane for the info!

Wednesday, September 12, 2012

On the Radar -- Pep Rally

Photo from Honeys Treasures on Etsy

I've explained how much we Blackbird girls love our monthly dose of periodicals.  Well, one magazine in particular, Country Living, is both our favorite AND our nemesis.  More on the nemesis part later.  That's a different post entirely.  If you don't read Country Living, you should.  Especially if you're a collector.  Their design aesthetic is not necessarily what you would think of as "country".  It's really more eclectic than that -- mixing mid-century, industrial, cottage, and other styles together all the time.  I think they are at their best when it comes to highlighting collectibles and decorating with collections.  Even better than Martha Stewart.  And that's really saying something, because anyone who knows me, knows that Martha is my homegirl! 

Anyway, this summer, we decided to start buying some school related items for our Etsy shop.  We had already found some yearbooks and some pennants, but on our infamous buying trip to Ohio, we bought some patches to add to the mix.  The pennants and a yearbook sold in our booth at a Vintage Flea, and we've been selling the yearbooks steadily in the shop for the past month.  Well, lo and behold, what's featured in Country Living this month, under the headline, " The Old College Try"?  Yep.  School stuff.  Patches and pennants, yearbooks, and other miscellaneous college collectibles.

1950s Wool Blankets, Country Living, October 2012

If you want to know what the trends are in collecting, just take a look in this magazine.  Seriously.  If it's not a trend before the magazine is published, then just wait -- a few months after something is featured, it's on EVERYONE'S radar.  Working as closely as we do with collectors and their junk, we Blackbird girls start to notice patterns in what people buy.  And when things start flying out of the shop -- we know it's been featured somewhere.  And here in the south, it's usually Country Living.

From Red Line Vintage
From It Is What It Was on Etsy

Whether you are looking for your alma mater or just want to add some school coolness to your decor or wardrobe, there's tons of options when it comes to college memorabilia.  And since we told you that it's hot here at Four and Twenty (well, and you know, it's also in Country Living), it's going to start showing up more and more.

Check out our school junk at our Etsy shop:

From Blackbird Antiques NC on Etsy


From Blackbird Antiques NC


Monday, September 10, 2012

Junk Love Monday: A Little Mood Music

We both come from musical families, and we have strong, sentimental connections to the music of our childhoods. We also love cool album art, so it makes sense that we have a pretty large record collection. This is a fairly organic collection of our merged tastes. We don't seek out certain ones. We don't even look at the vinyl selection at most of the thrift stores that we find. It just has to strike us in the moment, and then we're down in the floor, getting our knees filthy, sorting through the hundreds of Herb Alpert and Sing Along With Mitch albums to find the music that we love.

Led Zeppelin Physical Graffiti


Anyone sorting through our record collection would think that a  lunatic lives in our house. We have Pink Floyd filed alongside Julie Andrews and Gladys Knight & the Pips. Bing Crosby lives among a random selection of Led Zeppelin, Broadway musical soundtracks, and guilty pleasures from the 80s. We have an extensive collection of the Beatles (hers) and Elvis (mine), and I probably own twenty different Frank Sinatra albums. I'm probably the only person in the country who compulsively buys Henry Mancini records. There is even a Gordon MacRae-covers-the-Beatles album that is so, so bad. (I can never take the song "Michelle" seriously ever again.) We also cannot resist cute cover art, so we have a very random selection of albums that we never listen to, but can never part with. And this doesn't begin to cover the ridiculously large collection of 45s, for that jukebox that we're going to find someday.

Men at Work

 I grew up in the era of cassettes, so I cannot resist the urge to purchase vinyl versions of my favorite hair bands. I also blame Ted Nugent. As a skillful plunderer, I long ago discovered my parents' secret stash of records. We had no record player for the majority of my childhood, but I used to pull them out and flip through them when nobody was around, and I was fascinated by the cover art. The one that was always on top of the stack was Ted Nugent's Cat Scratch Fever. He looked crazy, and if you flipped the album, there was a woman scratching his chest hard enough to draw blood. She had bright red fingernails. I will never know why, but that album haunted me. Why is she scratching him? Why is he bleeding? Why does he look so crazy? I finally got someone to tell me what "cat scratch fever" meant, and that is where I'm going to close this chapter of the conversation. I'll just say that I decided not to ask questions for a while after that.... Now I'm a sucker for Mid-Century album art.

Henry Mancini


Anyway, we love our records. We decorate the Christmas tree to the Charlie Brown Christmas soundtrack and Louis Armstrong ('Zat You, Santa Claus?). If I'm home alone on a rainy afternoon, I like to make some hot tea and read while Henry Mancini softly scratches away in the background (which could mean that I'm secretly an old lady). A bad day might put me on the couch, in the dark, listening to Julie London sing "Cry Me a River" over and over again (so, apparently I'm secretly a masochistic old lady). Time to clean the living room? Then we've got to put on some Queen. Baking cookies means Broadway. And there's nothing like a Gershwin mix to make you feel like you're in a Gene Kelly movie, which is never a bad thing.

Sunday, September 9, 2012

Bonus: Yes, We Do Windows

You would think that our favorite part of working at an antique mall is all of the junk that we can buy and take home. Actually, the thing that we look forward to the most is working on the front window displays. We've been contributing to the windows for quite some time, but for the last two years we've allowed ourselves to branch out with our designs. Yes, there will be a display that mimics a Victorian sitting room, or a lady's boudoir, or an explorer/travel theme, but then you might walk up the sidewalk to discover an abstract, and very graphic, black, white, and blue display of vintage sign letters and glassware. We take inspiration from movies (our most recent Victorian display drew its inspiration from the new Sherlock Holmes movie), books, magazines, and other things that catch our attention. We like to make the window displays over the top, so that people stop on the sidewalk to take pictures, or even come inside just to tell us it's cool. That travel window? It had suitcases stacked ten feet high. And that pales in comparison to the "over the top" that we've been doing for the last year.

We, along with a co-worker who joined the top secret window team last summer, change the window displays 6 or 7 times a year. The longevity of a particular display depends on season, as well as the fact that feature items in our displays tend to sell. We replace them as quickly as we can, but there are only so many upholstered chairs or green vases to be had, and then it starts to look barren. We spend weeks, if not months, planning future displays. It is an obsession. We spend our own money; we do the windows off the clock; we start at night and stay until the wee hours of the morning, so that it seems like the work of little nocturnal elves. Sometimes, we spend hours upon hours at home preparing props, dyeing fabric, or engineering a new way to highlight a particular item.

Creativity is a requirement, because we are limited by what is in the store at any given time. You can't do a Mid-Century living room if there is no Mid-Century furniture in the store right now. If our vision is based on a wall of tightly packed portraits (which we did for Halloween one year--very creepy), then there had better be at least 30 portraits in the store. Some items are critical to the display, so we have to keep a Plan B handy in case one of those items sells. That bench is perfect! If somebody buys it, we had better know exactly what can replace it and still look cohesive with the rest of the display.

This post is intended to review the windows of the last twelve months, and our intention is to write a post for each new display from now on. So here is a recap, starting with late last July:

July/August 2011: Mid-Century Under the Sea window
A staggered, sculptural stack of Lane coffee tables in various sizes and shapes, covered with 1950s and 1960s pottery, & glassware. We covered the pegboard wall with strips of bubble wrap, painted on the reverse in different shades of blue, alternating in a random pattern. We dyed fabric in greens and blue-greens and made "seaweed" to hang from the ceiling (loosely based on an Anthropologie window that we had seen). We draped seaweed over and around the accessories, which were in blues and oranges. We made a Mid-Century style mobile with sleek orange fish and hung it from the ceiling. It was a huge hit. Unfortunately, no pictures survive.

September/October/early November 2011: Train Station window
We found a piece of brick-patterned paneling in the attic, and used it on the floor. We stacked two painted wooden tool boxes (six feet long) to make a bench. We rigged an old door across the nook with a vintage "tickets" sign, and put a small stack of suitcases beside it. A bonus discovery of a vintage painted "Pay Here" sign hung above the door.  Train lanterns and railroad signal lights hung on the walls, along with a beautiful vintage Railroad Crossing sign.




Christmas 2011: Country Christmas Kitchen window
Big tree, lots of ornaments, pine cones, berries, etc. A 1930s enamel gas stove, with red and green mixing bowls and spice containers on a shelf above. A rocking chair with a bowl of popcorn/cranberry garland spilling out. 1930s toys under the tree. Platters of cookies and bowls of cookie cutters.  But no pictures of it!

January 2012: The Alice Window
Without a doubt, the most famous window that the mall has ever had. We cut panels off of a big roll of white paper, and transcribed the Mad Hatter's tea party story in different sized letters, using different fonts, in black ink. We attached these to the pegboard wall. We put black and white tiles on the floor. A red velvet drapery hid the corner nook, and we made a 14" high golden-yellow door to put at the bottom. In front of this went a tiny dollhouse-sized table with a small key and a tiny glass bottle. The center of the window held a glass and chrome table covered with teacups and teapots. A yellow shelving unit held more cups, etc. Funky chairs surrounded the table, including a large gold wing chair. We sold the wing chair five days later, and replaced it with a cream one. That one sold less than a week later, and we replaced it again. That one sold within ten days, and marked the end of Alice's reign, as we didn't have any more chairs to put there. People still ask about this one. Pictures do survive of this window. Here's a sample, and the rest can be found on the Collector's Antique Mall Facebook page.




February/March 2012: A Photographer's Living Room
We gathered every panoramic photograph in the store and clustered them on the walls, and used a large Mid-Century hutch to hold more photos and vintage camera gear. A locally-made lamp using a vintage tripod and camera lit the display from the corner.



March/April/early May 2012: Is There A Doctor In the House?
Vintage medical posters, a doctor's cabinet, various medical tools and signage.

Doctor's window


late May/June/July 2012: the ROY window
Nothing but red, orange, and yellow from top to bottom. The unique feature was the orange fridge.  Definitely an eye-catcher.



August 2012: Asian Fusion window
We once again pulled out the giant roll of paper, cut it into panels, and painted Asian-style fish onto it. Parasols, fans, some figurines, a bamboo ladder, a Henredon silver chest, and various green and amber jars and accessories filled in around a bamboo-patterned Windsor chair. We used a bank of vintage post office boxes to mimic the feel of a Chinese apothecary cabinet. The Henredon chest sold fairly quickly, and has been replaced by a small Arts and Crafts style tapered bookcase.